ترجمه هنر -5 صفحه
ترجمه هنر-زندگی نامه عکاس Graciela Iturbide
دانلود رایگان متن انگلیسی -Graciela Iturbide
بیوگرافی :
Graciela Iturbide درسال 1942 در مکزیک به دنیا آمد.او بین سیزده فرزند خانواده بزرگترین فرزندبود .در سال 1962 با Manuel Rocha Díaz معمار ازدواج کرد . بعد از 8 سال صاحب سه فرزندشد . دختر 6 ساله ی او در سال 1970 از دنیا رفت . بعد از مرگ او ، گراسیلا به عکاسی روی آورد . او در دانشگاه سنت رو در مکزیک درس خواند،جایی که مربی خود ، معلم عکاس و فیلم سازیعنی Manuel Álvarez Bravo را ملاقات کرد .
او در طول زندگی هر روز عکس می گرفت . تقریبا همه عکس های او سیاه و سفید بود.او از عکاسانی همچون Josef Koudelka, Henri Cartier-Bresson, Sebastiao Salgado و Álvarez Bravo الهام می گرفت .گراسیلا به زندگی روزانه ی فرهنگ های بومی مکزیک علاقه مند شد و از زندگی در شهر مکزیک،Juchitán و Oaxaca وشهر مرزی مکزیک وآمریکا (La frontera) عکس گرفته است. در سال 1979 ، بامردی برخوردکرد که روستای خودرا برای عکاسی پیشنهادکرد. گراسیلا مجذوب این پیشنهاد شد و اولین مجموعه عکس خود را با عنوان « تصویر زن فرشته » منتشر کرد. او همچنین در بخش مکزیکی Sonoran desert نیز به عکاسی پرداخت .اولین تجربه او به عنوان عکاس دید او را در مورد زندگی شکل داد و او را به حامی قدرتمند فمینیست تبدیل کرد.
Graciela Iturbide (born 1942 in Mexico City) is a Mexican photographer.
Biography
Graciela Iturbide was born in Mexico in 1942, the eldest of thirteen children. She then married the architect Manuel Rocha Díaz in 1962 and had three children over the next eight years. Iturbide's six year old daughter died in 1970; after this death she turned to photography. She studied at the Centro Universitario de Estudios Cinematográficos at the Universidad Nacional Autónoma de México, where she met her mentor, the teacher, cinematographer and photographer Manuel Álvarez Bravo.
Iturbide photographs everyday life, almost entirely in black-and-white. She was inspired by the photography of Josef Koudelka, Henri Cartier-Bresson, Sebastiao Salgado and Álvarez Bravo. She became interested in the daily life of Mexico's indigenous cultures and has photographed life in Mexico City, Juchitán, Oaxaca and on the Mexican/American border (La Frontera.)
In 1979, Iturbide was asked by a man to photograph his village. Interested by the proposal, Iturbide released her first collection, titled "Mujer Ángel" ("Angel Woman") and shot in Mexico's portion of the Sonoran desert. Her first experience as a photographer shaped Iturbide's views on life, making her a strong supporter of feminism. The image of "Mujer Ángel" was used by the politically charged metal group Rage Against The Machine for their single "Vietnow" in 1997.
Some of the inspiration for her next work came from her support of feminist causes. Her well known collection, "Señora de Las Iguanas", ("Our Lady of the Iguanas") was shot in Juchitán, Oaxaca, a city where women dominated town life. Her work in Juchitán was not only about women, however: she also shot "Magnolia", a photo of a man wearing a dress and looking at himself on a mirror. It was "Magnolia" that has led many photography experts to say that Iturbide also explored sexuality among Mexicans with her work.